Author Thabit

Act 3 Scene 1 in new context. Benvolio: Well Mercutio It is hot and here the Capulets are come let’s go now so we don’t get in a fight, it’s hot and every one is hot blooded we need to… Continue Reading →

Romeo And Juliet Project 20 Words Example 1. Word: Quarrel, Word Class: Noun Dictionary Definition: An angry disagreement Quote From Play: ” thou will quarrel With a man that hath a hair more or a hair less in his beard… Continue Reading →

Romeo thinks that Juliet is dead and goes to the tomb. Paris thinks Romeo is there too cause trouble and they fight. Romeo kills Paris and then kills himself. The first then the friar comes there and see’s Romeo and… Continue Reading →

Romeo and Juliet Act IV Scene II + III Summary In these scenes Juliet talks to Friar Lawrence and he gives her a potion to make her seem dead to the other people so she doesn’t get married to Paris… Continue Reading →

Shakespeare uses metaphors in Romeo and Juliet. An example is “like fire and powder, the sweetest honey in loathsome In his own deliciousness” this metaphor means honey is good but not too much is like with Romeo loving Juliet but… Continue Reading →

Mercutio and Gregory are in a street and the capulets and Tybalt arrive there. Tybalt starts a fight with the Montagues then Romeo comes and Tybalt threatened to kill Romeo, Mercutio goes in front of the sword and Tybalt kills… Continue Reading →

Romeo And Juliet Act 2 Scene 4-6 Monday morning summary In the scenes Romeo and Mercutio are cussing the nurse for fun and asking the nurse if she can arrange Juliet to see Romeo so they can get married. The… Continue Reading →

In a street in Verona Romeo, mercutio and Benvolio are talking and cussing each other.

Romeo has gone to Friar Lawrence to talk to him and friar Lawrence asks him why is he is so early and if he was with Rosalin and Romeo told him he loved someone else who was Juliet and she… Continue Reading →

In Shakespeare plays and in Romeo & Juliet there is lots of dramatic irony. Dramatic Irony is something in a play that the audience knows but the characters in the play do not know.